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Motoko KusanagiManga1995SACArise2017SAC_2045NameEnglishMotoko KusanagiKanji草薙素子RomajiKusanagi MotokoAliasThe Major,Chroma,Ghost,Fire Starter,Mira KillianBioSpeciesCyborg (full-body)GenderFemaleCurrent AffiliationsNationalityJapanTeamPublic Security Section 9OccupationTeam LeaderPrevious AffiliationsTeamJGSDFOccupationSoldierActorsJapanese VAAtsuko Tanaka,Maaya SakamotoAriseEnglish VAMimi Woods1995,Mary Elizabeth McGlynnS.A.C.,Alison MatthewsS.A.C. OVAs,Peggy O'NealS.A.C. (young),Elizabeth MaxwellAriseLive ActionScarlett Johansson2017,Kaori Yamamoto2017 (young)Other ActorsKaede AonoStage playMajor Motoko Kusanagi (草薙素子, Kusanagi Motoko) is the main protagonist in Masamune Shirow's anime and manga series. She is a cyborg employed as the squad leader of Public Security Section 9, a fictional division of the real Japanese National Public Safety Commission, and earned her rank of major during her service in the Japan Ground Self Defense Force. She is voiced by Atsuko Tanaka in the movies and the Ghost in the Shell: Stand Alone Complex series. In the English dubbing of the film, Mimi Woods provides the voice, and in the Bandai dub of the Stand Alone Complex TV series, Mary Elizabeth McGlynn is the voice actress.

Kusanagi is the main protagonist in the movie Ghost in the Shell, where she is Aramaki's second in command in Section 9. She is a very effective leader and is able to use her wits and cybernetic body in bringing criminals to justice. However, despite the number of cyborgs in Section 9, Kusanagi hand-picks Togusa, who has undergone only minimal brain modification, to balance the roster, an interesting expression of her belief that homogeneity is a weakness and that versatility is a strength. Kusanagi is often contemplative and brooding, whilst her counterpart Batou is more extroverted and lively. She usually wields an M-23 submachine gun that, while fictional, bears a striking resemblance to a P90 - though with the magazine mounted vertically on the underside instead of horizontally as is the case with the P-90.

Since she has a full cybernetic body, she is not certain her ghost - her soul - retains any humanity. In fact, she speculates on the possibility that she's entirely synthetic, with artificially generated memories designed to fool her into thinking she was once human. She goes scuba diving for relaxation, although she is so heavy that she would sink like an anchor if any malfunction in her buoyancy devices were to occur. Her fatalistic attitude towards her diving thoroughly confounds Batou. Throughout the movie, she seeks to find answers to her questions and finally meets the Puppet Master, a rogue AI who became sentient and who is similar to her in its quest for existential meaning. By the end of the movie, Kusanagi and the Puppet Master merge to form a new entity that propagates itself artificially.

In Innocence, the Major's first verifiable appearance occurs in Kim's manor, where she breaks into the hallway component of Kim's looping false memories and inserts herself (represented by the little girl prosthetic body Batou got her at the end of the first movie), a basset hound, and clues to alert Batou to a ghost-hack attempt on him and Togusa (their private code 2501 from the first movie is part of the clues). Later, the Major's ghost returns to help Batou on the Locus Solus' gynoid factory ship. However, only a fragment of her is downloaded as the host gynoid had insufficient memory. Her personality has not changed much from the first movie, except for gaining Project 2501's master-hacking skills. Her mind now operates from a satellite, and is even further detached from humanity.

In episode 11 of the second season, we learn that Kusanagi underwent full cyberization due to severe injuries she suffered after a plane crash when she was just six years old. Only she and a young boy survived. She was in a coma until it became apparent that she would die without undergoing cyberization. (Both of the children's parents died in the crash.) The boy had lost the use of much of his body except for his left hand, which he used to make origami cranes non-stop. Two years later, the young Kusanagi was brought to see him after receiving her first artificial body to encourage the boy to undergo cyberization. However, the boy, not recognizing her as the same girl who had survived with him, rejected it because he wanted to continue to make paper cranes, and Motoko was unable to do so due to difficulty operating her cyborg body until later in her life. She left him to make paper cranes, saying, \"This time I'll practice making paper cranes for you, okay\". But eventually, he relented, and underwent cyberization, later becoming Hideo Kuze.

Parents need to know that Alita: Battle Angel is a post-apocalyptic sci-fi action movie about a resurrected teen cyborg named Alita (Rosa Salazar). Expect lots of fantasy violence and fighting, including punching, stabbing, slicing, death, and blood (both red human and blue cyborg). Female characters, including Alita, are sexualized and objectified, sometimes in an unsettling way. There's some flirting and kissing between Alita and a young man. Language includes one \"f--k\" and infrequent use of other words like \"crap\" and \"piss.\" A secondary character drinks whisky in more than one scene, a young man mentions having had a bit too much, and a secondary character smokes. Co-written by James Cameron, directed by Robert Rodriguez, and based on a manga by Yukito Kishiro, the movie is a guaranteed slam-dunk for fans of the above, but for others, it may feel lifeless and overly reliant on visual effects. 153554b96e

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