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Fantasy is about narrative conflict, a series of events leading to a conflict which is resolved either by the power of the good characters or their powerlessness before overwhelming odds or by death. Or, even better, both. This is why, in my opinion, more modern fantasy novels tend to be book-length series: the expansion and development of minor characters, and the exploration of various long-term, cross-cutting plots are what keep both the reader and the writer invested in a series (as opposed to picking up a novel, liking most of the characters (except the villain), and dumping it, like a film, immediately). Being hit over the head repeatedly with the concept of narrative conflict is like being hit over the head repeatedly with the concepts of plot and character. Sure. Great. Solid. But there are other layers here, too, ones that just don't quite seem to work unless writers do their homework.
Crossover? I mean, of course if you have two good characters and a badass-but-weak villain, you're just going to have some epic battles and it's all downhill from there. I mean, at that point, Marvel and DC just marry in a big kissing and panting party and they've got a movie. ( Marvel vs. DC , heck, just DC vs. Marvel ).But while our comics are the epitome of convenience, why not make them better? I like that there are lots of different kinds of stories, but why let them all become the same (even if that is helping to make them all really good at their jobs). What about standalone stories? What about, for instance, the kind where our protagonist fails to fill the role that is expected of them? Stories where our hero makes a horrible mistake and has to pay the price to correct it? Or those where it is not our hero but the other guy, because sometimes the hero just isn't cut out to be a hero and you don't want him to be. d2c66b5586