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Released in 1993, this is the last film in the trilogy, taking Ash back in time to England in 1300 AD. The movie has horror attributes, but is based mainly on humor and action. This time the evil creatures are referred to as deadites.
The production team of George Reinblatt, Christopher Bond and Frank Cipolla recently created an Off Broadway show titled Evil Dead: The Musical, based on the film series. Its New York run was directed by Bond and Hinton Battle, who also choreographed the show. Ryan Ward played the part of Ash. Tying in with the midnight movie plot of a group of friends visiting a wooded cabin and unleashing untold evil, performances did not start until 11 p.m. on Fridays and Saturdays. Previews began October 1 and the show opened November 1 at the New World Stages. It was announced on January 31, 2007 that Evil Dead: The Musical's New York production at New World Stages would close on February 17, 2007. Toronto producers announced a new Toronto production of the show, also starring Ryan Ward, at the Diesel Playhouse. The new production started its running May 1 2007 and has been announced to end on September 8, 2007.
Hail to the queens, baby. A new entry in the beloved "Evil Dead" franchise inches closer, and today we've learned that women and children get in on the mayhem. "Evil Dead Rise" is the latest on a collection of movies first dropping in 1981. Starring Bruce Campbell as the undead-battling Ash, Sam Raimi's gruesome "Evil Dead" was a scrappy production that eventually landed on the radars of the distributor for "Night of the Living Dead," the Cannes Film Festival, Stephen King, and Fangoria magazine, becoming a sleeper hit. It spawned two feature sequels, "Evil Dead II" and "Army of Darkness," and a gnarly reboot from Fede Alvarez in 2013. "Ash vs. Evil Dead" kept the story going in a television series format for three seasons, and now "The Hole in the Ground" director Lee Cronin teams up with original "Evil Dead" producer Robert G. Tapert and his production company with Raimi, Ghost House Pictures, to bring a new tale of the evil and the dead to HBO Max.
For some 30 years now, small clusters of movie teenagers have made the journey to various cabins in various woods. The return ratio for such trips is one surviving, bloodied, traumatized, hospitalized teenager for every 10 dead friends left behind. And the ratio of entertaining, original movies about attractive young people and the hideous monsters that stalk them is about the same. For every clever remake or freshly twisted spin, there are innumerable gore fests with nothing original to say.
Gore provides a key component to both films. Raimi uses it in such copious quantities that the sheer volume of fake blood often becomes humorous (especially in Evil Dead II, where red is not always the color of choice - there's black blood, green blood, and yellow blood). Heads and arms are frequently severed, but it's all done in such a good-natured and over-the-top manner that it's difficult imagining any horror aficionado being remotely distressed by the amount of gore. (It is equally difficult imagining anyone who doesn't like horror films coming within viewing distance of any Evil Dead movie - the pictures are intended for those who appreciate the genre.) In Evil Dead II, a bodiless head tries to chew on Ash's hand; later, he is attacked by the headless body. And, in what is unquestionably the most amusing moment in either film, an eye pops out of its socket and flies through the air to a waiting receptacle. With the Evil Dead movies, Raimi successfully illustrates that gore can be used for purposes other than grossing out an audience. 2b1af7f3a8