Soundtracs Topaz Project 8 Manual ##TOP##

Soundtracs Topaz Project 8 Manual ##TOP##

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You can also turn the stereo effects on and off manually. For the most part, I think this is a nice touch because you don’t have to learn how to use the effects if you don’t want to. However, I think the stereo effects should be fully automatic with no configuration options. I realize the Project 8 is targeted toward a small studio market, but I would have liked to hear that the stereo effects were fully automatic, and I could have disabled the stereo effects entirely.

If you are curious about how to use the equipment, the manual covers the basics of how to connect the equipment into your computer. You’re given a troubleshooting section, a troubleshooting guide, an audio signal chain diagram, and a short section on how to set up and use the software.

Because there are so many controls on the front panel of the Project 8, there is a lot of information about how to configure them in the software. I was a little surprised that the software has a lot of configuration options. There are two main categories of configuration options. The first is the Project 8 settings. This is where you can set the frequency balance, the delay time, the input screen for the audio output, and the input screen for the MIDI output. These settings can be saved and then recalled as desired, so you can save your preferred settings if you ever change computers or if you want to use the software on a different computer. The second are the stereo effects. You can use the stereo effects to add chorus, flange, or phaser effects to the audio signal. You can also make effects like a delay, overdrive, and distortion effects stereo.

The 70-page feature section is arranged into a basic outline of the Project 8’s features, which is then broken into feature packages. The feature outlines are well organized, but I am a little disappointed with the lack of technical descriptions. For instance, the section on the automation section is written in terms of the behavior of the automation parameters such as panning, volume, and panning. But it never mentions how the automation section functions and the relationship of all the automation section parameters.

The Project 8 is well-designed, with an attractive, silver-colored case. I like the floating protective tape holder at the top, and the quality of the high-quality metal headrail is first-rate. The ergonomic controls are nicely laid out.

The XMAX mic preamp is an excellent input stage. With all the controls set and the mic preamp's internal mic gain knob set to 50, I was able to get pretty good sound from a cheap RTI microphone. I also was able to get a good sound from my Sony PCM-700, and I set the XLR output to the input level control of the Project 8 and turned the preamp knob to 0. With the XLR output at 0, the preamp's XLR output was at full level, and with the XLR input at full level, the preamp's output was at 0. I could not hear any distortion from the preamp, even with this level of gain. 827ec27edc